As a producer you know that choosing the right equipment for your shoot will make a big difference!

Our camera crews are familiar and experienced with all common camera models and happy to accommodate your requirements. We have a very wide range of state of the art camera, lighting and grip equipment to cater to all your needs.

Cameras
  • Sony FX9, FX6 and FX3,  Sony F5 and F55, Sony a7s, etc
  • Canon C300, Canon 5d, etc
  • Red Epic and Red Dragon, etc
  • Arri Alexa, Arri Mini and Alexa 35, etc
  • Blackmagic cameras
  • dji Osmo & Gopros
  • underwater cameras

We also have a wide network of stills photographers.

We use a wide selection of camera lenses from all major brands: Zeiss, Fujinon, Canon, Angénieux and many others.

To keep up with current trends we have a wide range of drones equipped with a variety of cameras. We only use experienced and licensed operators.

We also offer Ronin/gimbal systems along with steadicams equipped with cameras of your choice. It’s understood that we only use well seasoned and experienced operators.

Lighting

We can provide a wide range of state of the art lighting and grip kit throughout Germany and Europe.

We offer:

  • the full range of Arri lighting units both HMI and Tungsten and LED.
  • skypanels, Arri Fresnels etc.
  • Panaura Octodome 5, Techpro Felloni LED lights, Dedo lights
  • Kinoflo lighting units both LED and standard kits

Grip kit:

  • dollies with tracks
  • cranes, jibs
  • stands, gobo arms
  • flags
  • gels and diffusion
  • clamps, gaffer tape, magliners, etc.

state of the art production equipment kit camera lighting grip soundWhether you are filming an important CEO presentation or a nervous camera-phobic person – using a teleprompter is the easiest way to get the best out of your interviewee! We offer various studio style prompting systems as well as iPad prompters.

A recent addition to our arsenal of filming kit is the brilliant EyeDirect system – a simple but extremely useful device. It’s a fairly simple technology: the interviewer sits next to the cameraman and looks into a mirror which throws up his image onto a transparent screen which is attached to the camera lens. By employing two mirrors, a ‘periscope’ is created to draw the subject’s attention to what is reflected behind camera.